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Shizuka Minami’s Outlook
The Caribbean has always been a magnet for
ingenious expression…but more pleasing
still, it has attracted a Japanese aerospace
engineer turned professional international
photographer; a young woman who is a visual
maestro in love with Trini Carnival, and
endeavouring to rule a career niche known as
festival photography.
I’m speaking about Shizuka Minami – talented,
young, amiable and organized. A brisk energy
emanates from her, as she sets down her laptop on
an outdoor table at the More Vino Wine House on
the Ariapita Avenue restaurant strip. Now she’s all
set to display her selection of Carnival photos. We
order drinks (cranberry juice for her – “I need to stay
healthy” she laughs) as she launches into her slide
show of exhibition offerings. No names. I’m looking
at Shizuka 1.jpg, Shizuka 2.jpg etc…but who needs
names with work like this. These are photos taken of
Carnival in Trinidad, and rendered with such evocative
temperament and sound compositional precision that
they seem to be fine art paintings that have emerged
from the camera.
In one photograph of the Tuesday parade a band
crosses the stage clad in orange costumes spouting
reed-like plumes. Shizuka’s cross-section shot of the
scene emphasizes parallel and diagonal lines, giving
the effect of streaks of fire descending from the sky.
In another photo Jouvert revelers wash off their body
paint at day’s end, silhouetted against the sky as the sun
transforms the water into a silvery mist. The impression
is one of a contented retiring mood – the softer side of
Carnival. Next, there is a photo of a reveler receiving
his baptism of red paint. This is the exact moment that
the paint touches his head! It’s rich-red and viscous
and so visually gripping that I can almost feel the cold
streaming liquid. I shudder – this is Carnival as well.
Then the slides roll on and yes, these are all examples
of moments that every Trinidadian has seen yet not
seen. This is our festive world in its cyclic perfection
– our energy building, peaking, and dissipating.
Finally, the portraits pop onto screen – dozens of
individual revelers from all walks of life in a variety of
highly expressive poses and costumes. Shizuka excitedly
clicks through these bold eye-to-camera shots where
men, women and children seem to converse with the
viewer via their facial expressions and body language.
These shots are as Softbox Studios owner and gallery
director Nisha Hosein-Khan describes them – these
spontaneous models seem to be saying: “this is me…
don’t try to interpret me, this is simply who I am”.
According to Nisha “with these portraits Shizuka has
captured the essence of Trinidadians.” And so much
so I think, that even a toddler’s cute pink Carnival
booties in the final shot are as much a Carnival portrait
as any face on show. Then, click... Shizuka closes her
laptop…
I’ve just seen a remarkable “refreshing” collection
of cultural photographs all of which are about to be
exhibited first at Softbox Studios January 15th to
February 28th, with yet another smaller show at More
Vino Ltd February 3rd to 27th. BUT…hold on. How
does she do it and why of all the Carnivals of the world
does Shizuka Minami love T&T’s festival so much?
According to Shizuka “emotion” is the most important
factor in her decision to take a photo, and T&T’s
celebrations express that level of intensity. Lighting
and composition are vital but the emotional power
of the festive moment is what she enjoys most. As an
example she sights a very dramatic piece – pan men
caught in the crescendo of their delivery. “Many have
tried to capture this.” She says. “ I think I’ve been
very successful in doing so”. And as to her reasons for
framing T&T in her camera lenses its simply a love for
our culture – its been that way since her first gleanings
of the country via a Panorama broadcast in Japan 10
years ago, to her current obsession with pan music and
her frequent visits to our shores. So, it would seem that
Shizuka has caught the Carnival fever and it’s helped to
inspire her creativity…but what next for Miss Minami?
Is she returning in 2010? She smiles…but of course!
- Nicole Craig
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